CreditChad Batka for The New York Times
This year, 12 songs reached the top of the Billboard singles chart, known as the Hot 100, from Ed Sheeran’s meticulously constructed “Shape of You” to Cardi B’s casual “Bodak Yellow (Money Moves).” Including feature appearances, 14 acts had their first No. 1s, like the electronic dance veterans Daft Punk (as guests on the Weeknd’s “Starboy”) and the Philadelphia firecracker Lil Uzi Vert, whose verse on “Bad and Boujee” by Migos begins with “Yah!” yelped five straight times. The track with the longest run atop the heap — “Despacito,” by Luis Fonsi and Daddy Yankee, featuring Justin Bieber — was sung almost entirely in Spanish.
On the album side, there were No. 1s by Future (with two different LPs in back-to-back weeks), the revitalized and bigger-than-ever LCD Soundsystem, the little-known rapper NF and, of course, heavyweights like Katy Perry, Pink and Taylor Swift.
In other words, the monoculture had so many disrupters that cultural whiplash became the new normal.